Script color revisions
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The pages in a white draft are renumbered from scratch, while the original scene numbers are maintained. In some cases, usually before the start of principal photography, an entirely new "white draft" will be distributed in lieu of colored revision pages. When the assistant director believes that there are more changed pages than are worth swapping out, the script coordinator may issue an entirely fresh script in the appropriate revision color. The progression of colors varies from one production to the next, but a typical sequence would be: white, blue, pink, yellow, green, goldenrod, buff, salmon, cherry, tan, ivory, white (this time known as "double white"), and back to blue ("double blue"). Revision pages are distributed on colored paper, a different color for each set of revisions, with each changed line marked by an asterisk in the right margin of the page. If scenes on page 45 become longer, they will be continued on new pages 45A, 45B and so on if the scenes on page 45 are all eliminated, a new page 45 will be issued with the word "OMITTED" as the absence of a page 45 might look like an error. This avoids having to print and distribute an entirely new draft for every set of revisions, which would entail crew members having to transfer all their handwritten notes to a new script. Thus the production office might issue a revision containing new pages 3, 9, 17 and 45. For instance Scene 1 Shot 1, 2, 3, 4, 5 etc.Īfter a shooting script has been widely circulated, page numbers are locked, and any revisions are distributed on revision pages. Also each individual shot within a scene is also assigned numbers.
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The numbers provide a convenient way for the various production departments to reference individual scenes.
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When a screenplay is approved for production, the scenes are assigned numbers which are included in the script alongside the scene headers.